River of blood : American slavery from the people who lived it : interviews & photographs of formerly enslaved African Americans / edited by Richard Cahan and Michael Williams ; foreword by Adam Green.
Record details
- ISBN: 9780991541850
- ISBN: 0991541855
- Physical Description: 240 pages : photographs ; 25 cm
- Edition: First edition.
- Publisher: Chicago, Illinois : CityFiles Press, 2020
- Copyright: ©2020
Content descriptions
Bibliography, etc. Note: | Includes bibliography (pages 238-239). |
Formatted Contents Note: | Slavery and identity -- Day to day -- Trauma that lasts forever -- War and freedom -- The pain of Reconstruction -- Once a slave. |
Search for related items by subject
Subject: | Slavery > United States > History. Slaves > United States > Biography. African Americans > History. Reconstruction (U.S. history, 1865-1877) |
Genre: | Interviews. |
Available copies
- 1 of 1 copy available at BC Interlibrary Connect. (Show)
- 1 of 1 copy available at Prince Rupert Library.
Holds
- 0 current holds with 1 total copy.
Location | Call Number / Copy Notes | Barcode | Shelving Location | Holdable? | Status | Due Date |
---|---|---|---|---|---|---|
Prince Rupert Library | 306.362 Rive (Text) | 33294002090751 | Adult Non-Fiction | Volume hold | Available | - |
- Booklist Reviews : Booklist Reviews 2020 February #2
*Starred Review* "If you's want to know âbout slavery time, it was hell," Carter L. Johnson, born into slavery in 1853 on an Alabama plantation, told a Federal Writers Project interviewer in the late 1930s. Johnson is one of three thousand survivors of extreme crimes against humanity who participated in the Slave Narrative Collection. Men and women who endured enslavement, Reconstruction's cruel betrayals and violence, and the horrors of Jim Crow answered searching questions with searing candor, and several hundred had their photographs taken. While the typed transcripts were preserved, the photographs were inexplicably neglected. For the first time, in this supremely well-designed and sensitively edited volume, select portraits and text are reunited and the result is monumental. A clarion foreword by historian Adam Green leads to an explanatory introduction by Cahan and Williams (Revolution in Black and White, 2019), photo historians dedicated to telling the whole true story of America. They observe, "It took courage to talk," and note the attempt to preserve the interviewees' dialect, for which a glossary is provided. But no translation is needed for these agonizing memories of the heartbreak of families forced apart, sadistic beatings, endless labor and deprivation, and the elusiveness of freedom. The survivors' words are mighty and indelible; their photographs record their strength, dignity, and definitive "witness to the truth." Copyright 2020 Booklist Reviews. - LJ Express Reviews : LJ Express Reviews
Drawing on more than 2,000 interviews of formerly enslaved people conducted by the Federal Writers Project in the 1930s, and housed in the Library of Congress, photo historians Cahan and Williams (coauthors,
Un-American ) present excerpts that focus on the memory of slavery and the horrors of bondage, and of witnessing the Civil War and seeking freedom during Reconstruction. The power of these selections comes through not only in the well-chosen, if sometimes too brief accounts, but also the photographs of the former slaves taken at the time of their interview, and various images of plantation houses and slave cabins. Most of the entries come from Texas, but they tell a larger story of how the formerly enslaved remembered the travails of bondage and defined the possibilities of freedom. Although the interviews are well known, much used, and fully available in several formats, this resource gives them a special poignancy by publishing the photographs of the interviewees for the first time.
Copyright 2020 LJExpress.VERDICT This important collection documents the experiences of formerly enslaved people and exposes readers to the difficult truths of American history. An eye-opening record and exploration of how the past informs our present.âRandall M. Miller, St. Joseph's Univ., Philadelphia