Alice Hoffman is a brilliant weaver of magic and the mundane, as many of her novels have proven over the years. In her hands, a story we think we know, from a time we think we've extracted every possible detail, can become a soulful new voyage into the heart of the human condition. With her latest novel, The World That We Knew, Hoffman travels to a hidden world built amid the horrors of the Holocaust and brings forth a spellbinding tale of love, loss and what it means to endure. 

Hoffman's story begins in 1941 in Berlin, where a young Jewish mother, Hanni, knows that she must find a way to smuggle her daughter, Lea, out of the city before the Nazis take notice of her. To do this, she turns to a rabbi for mystical help, only to discover that his daughter, Ettie, is more willing to help Lea through magical means. Ettie, working from knowledge she's gained through observing her father, crafts a golem they call Ava to guide and protect Lea. Thus begins an unlikely and harrowing journey through France, where Ettie finds a new purpose, Lea finds her soul mate and Ava finds that she's much more than a single-minded creation.

In beautifully precise prose, Hoffman chronicles the experiences of these characters and those whose lives they touch along the way. Throughout the next three years of the war, each woman tries to survive while also pursuing her own process of self-discovery. Though Nazi-occupied France is an endlessly compelling place to many readers, Hoffman never takes her historical setting for granted. Rather than leaving us to lean on what we think we know, she weaves a fully realized vision of the hidden parts of history, chronicling the stories of people who slipped through the cracks on their way to freedom and the emotional toll that freedom took. 

Page by page, paragraph by paragraph, sentence by sentence, The World That We Knew presents a breathtaking, deeply emotional odyssey through the shadows of a dimming world while never failing to convince us that there is light somewhere at the end of it all. This book feels destined to become a high point in an already stellar career.

 

ALSO IN BOOKPAGE: Alice Hoffman discusses the origins and history behind The World That We Knew.

In 1941 Berlin, Hanni Kohn saves daughter Lea from the Nazis by taking her to a celebrated rabbi whose daughter, Ettie, creates a golem named Ava meant to protect Lea. As Ettie prepares to become a resistance fighter, Lea and Ava travel to Paris and thence to a convent blessed with silver roses and a village that ends up saving 3,000 Jews. With a 200,000-copy first printing and an eight-city tour.

Desperate to get her 12-year-old daughter, Lea, out of 1941 Berlin, Hanni Kohn trusts Ettie, the teen daughter of a rabbi, to create a golem—a clay figure brought to life by Ettie's magic. Unusually, Ava is shaped as a woman, and her raison d'être is to keep Lea safe. Ettie and her younger sister accompany Ava and Lea as they escape on a train to Paris. The three are separated by tragedy, and Ettie joins the French Resistance while Lea and Ava first seek shelter with distant relatives, who reluctantly take them in. The fates of the family's teen sons Victor and Julien are soon entwined with those of Lea and Ava as they all move about France. Out of the familiar framework of the extraordinary courage and cunning it took to survive the unspeakable brutality of the Holocaust comes this moving, suspenseful story of love, decency, and fearlessness in the face of evil. VERDICT One of America's most brilliant novelists since her debut, Property Of (1977), Hoffman uses her signature element of magical realism to tackle an intolerably painful chapter in history. Readers know going in that their hearts will be broken, but they will be unable to let go until the last page. [See Prepub Alert, 2/24/19.]—Beth Andersen, formerly with Ann Arbor Dist. Lib., MI

Set in Nazi-occupied France between 1941 and 1944, Hoffman's latest (after The Rules of Magic) is a bittersweet parable about the costs of survival and the behaviors that define humanity. The narrative follows several groups of characters: teenage Julien Lévi and his older brother, Victor, whose family is murdered by the Nazis; Ettie, a rabbi's daughter, who with Victor and Marianne, the Lévis' former (Protestant) housekeeper, become members of the Resistance; and Lea Kohn, a schoolgirl fleeing Berlin with her "cousin" Ava. Unbeknownst to most of the characters, Ava is actually a golem—a soulless supernatural protector out of Jewish folklore—and her interactions with them and the ways in which she touches their lives serve as touchstones for Hoffman's reflections on the power of love to redeem and the challenges of achieving humanity, or retaining it, under such challenging circumstances. Though coincidence governs much of the meeting and team-ups of her characters, Hoffman mitigates any implausibility through the fairy tale quality of Ava's involvement and her supernatural powers of salvation. The attention to the harsh historical facts makes the reader care all the more strongly about the fates of all of the characters. Hoffman offers a sober appraisal of the Holocaust and the tragedies and triumphs of those who endured its atrocities. (Sept.)