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Brown girl dreaming  Cover Image Book Book

Brown girl dreaming / Jacqueline Woodson.

Summary:

"Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child’s soul as she searches for her place in the world. Woodson’s eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become."--Provided by the publisher.

Record details

  • ISBN: 9780399252518
  • ISBN: 0399252517
  • ISBN: 9780147515823 (trade paperback)
  • ISBN: 0147515823 (trade paperback)
  • Physical Description: xiii, 336 pages : illustrations, portraits, genealogical table ; 21 cm.
  • Publisher: New York : Nancy Paulsen Books, an imprint of Penguin Group (USA), 2014.
Subject: Woodson, Jacqueline > Childhood and youth > Poetry, Juvenile.
Authors, American > 20th century > Biography > Poetry, Juvenile.
African American women authors > Biography > Poetry, Juvenile.
Identity (Psychology) in children > Juvenile poetry.
African Americans > Civil rights > History > 20th century > Juvenile poetry.
Genre: Memoir > Poetry, juvenile.
Topic Heading: Black lives matter
BLM

Available copies

  • 10 of 11 copies available at BC Interlibrary Connect. (Show)
  • 1 of 1 copy available at Prince Rupert Library.

Holds

  • 0 current holds with 11 total copies.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Holdable? Status Due Date
Prince Rupert Library J Wood (Text) 33294002061000 Juvenile Fiction Volume hold Available -

  • Booklist Reviews : Booklist Reviews 2014 August #1
    *Starred Review* What is this book about? In an appended author's note, Woodson says it best: "my past, my people, my memories, my story." The resulting memoir in verse is a marvel, as it turns deeply felt remembrances of Woodson's preadolescent life into art, through memories of her homes in Ohio, South Carolina, and, finally, New York City, and of her friends and family. Small things—ice cream from the candy store, her grandfather's garden, fireflies in jelly jars—become large as she recalls them and translates them into words. She gives context to her life as she writes about racial discrimination, the civil rights movement, and, later, Black Power. But her focus is always on her family. Her earliest years are spent in Ohio, but after her parents separate, her mother moves her children to South Carolina to live with Woodson's beloved grandparents, and then to New York City, a place, Woodson recalls, "of gray rock, cold and treeless as a bad dream." But in time it, too, becomes home; she makes a best friend, Maria, and begins to dream of becoming a writer when she gets her first composition notebook and then discovers she has a talent for telling stories. Her mother cautions her not to write about her family, but, happily, many years later she has—and the result is both elegant and eloquent, a haunting book about memory that is itself altogether memorable. Copyright 2014 Booklist Reviews.
  • BookPage Reviews : BookPage Reviews 2014 September
    Memories held close

    BookPage Children's Top Pick, September 2014

    Award-winning author Jacqueline Woodson was born in Columbus, Ohio, in 1963, in a "country caught between Black and White." John F. Kennedy was president, Martin Luther King Jr. was planning the March on Washington, and Malcolm X talked of revolution. But, like her picture book Show Way (2005), Woodson's new memoir-in-verse, Brown Girl Dreaming, is of the ages—an African-American family's story traced across the generations to Thomas Jefferson Woodson, perhaps the first son of Thomas Jefferson and Sally Hemings, and William J. Woodson, who fought for the Union in the Civil War. Her story is "history coming down through time," narrated as if she is standing right next to us, pointing out family pictures on the wall of her childhood home.

    Woodson's father always said that "there's never gonna be a Woodson that sits in the back of the bus," but her mother yearned to move home to Greenville, South Carolina. In beautifully drawn family and community scenes, Woodson shows the warmth of life in the South, even while she learns to sit in the back of the bus, to step off the curb for white people, and not to look white people in the eye. When they move again, Woodson feels a sense of loss and sees New York City as "treeless as a bad dream. Who could love / this place—where / no pine trees grow, no porch swings move / with the weight of / your grandmother on them." Readers may well find this one of the best books they have ever read, rich with a sense of time and place and glowing with the author's passion for words.

     

    This article was originally published in the September 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

    Copyright 2012 BookPage Reviews.
  • Horn Book Guide Reviews : Horn Book Guide Reviews 2015 Spring
    A memoir-in-verse so immediate, readers will feel they are experiencing Woodson's childhood along with her. We see young Jackie grow up not just in historical context but also in the context of extended family, community, and religion (she was raised Jehovah's Witness). Most notably, we trace her development as a nascent writer. The poetry here sings: specific, lyrical, and full of imagery.
  • Horn Book Magazine Reviews : Horn Book Magazine Reviews 2014 #5
    Here is a memoir-in-verse so immediate that readers will feel they are experiencing the author's childhood right along with her. It starts out somewhat slowly, with Woodson relying on others' memories to relate her (1963) birth and infancy in Ohio, but that just serves to underscore the vividness of the material once she begins to share her own memories; once her family arrives in Greenville, South Carolina, where they live with her maternal grandparents. Woodson describes a South where the whites-only signs may have been removed but where her grandmother still can't get waited on in Woolworth's, where young people are sitting at lunch counters and standing up for civil rights; and Woodson expertly weaves that history into her own. However, we see young Jackie grow up not just in historical context but also--and equally--in the context of extended family, community (Greenville and, later, Brooklyn), and religion (she was raised Jehovah's Witness). Most notably of all, perhaps, we trace her development as a nascent writer, from her early, overarching love of stories through her struggles to learn to read through the thrill of her first blank composition book to her realization that "words are [her] brilliance." The poetry here sings: specific, lyrical, and full of imagery: "So the first time my mother goes to New York City / we don't know to be sad, the weight / of our grandparents' love like a blanket / with us beneath it, / safe and warm." An extraordinary--indeed brilliant--portrait of a writer as a young girl. martha v. parravan Copyright 2014 Horn Book Magazine.
  • Kirkus Reviews : Kirkus Reviews 2014 July #2
    A multiaward-winning author recalls her childhood and the joy of becoming a writer.Writing in free verse, Woodson starts with her 1963 birth in Ohio during the civil rights movement, when America is "a country caught / / between Black and White." But while evoking names such as Malcolm, Martin, James, Rosa and Ruby, her story is also one of family: her father's people in Ohio and her mother's people in South Carolina. Moving south to live with her maternal grandmother, she is in a world of sweet peas and collards, getting her hair straightened and avoiding segregated stores with her grandmother. As the writer inside slowly grows, she listens to family stories and fills her days and evenings as a Jehovah's Witness, activities that continue after a move to Brooklyn to reunite with her mother. The gift of a composition notebook, the experience of reading John Steptoe's Stevie and Langston Hughes' poetry, and seeing letters turn into words and words into thoughts all reinforce her conviction that "[W]ords are my brilliance." Woodson cherishes her memories and shares them with a graceful lyricism; her lovingly wrought vignettes of country and city streets will linger long after the page is turned.For every dreaming girl (and boy) with a pencil in hand (or keyboard) and a story to share. (Memoir/poetry. 8-12) Copyright Kirkus 2014 Kirkus/BPI Communications.All rights reserved.
  • Library Media Connection : Library Media Connection Reviews 2015 March/April
    Jacqueline Woodson is known for her novels; this is a novel in verse and her personal story. The book takes her from birth to fifth grade, although the Author's Note and Thankfuls fill in a bit more of the story. Woodson uses clear, evocative language to draw readers back to the 1960s and 1970s and into the racial and family issues she experienced. The poems cover her personal experiences with her grandparents, her brother's bout of lead poisoning, her struggles with reading, and her experience as a childhood member of the Jehovah's Witnesses, as well as the larger civil rights movement and African American experience. This is a beautifully crafted work that should be read for its own sake, but it also works well to meet Common Core Standards. Suzanne Libra, Teacher Librarian, Silver Hills Middle School and Alternative Campus, Westminster, Colorado [Editor's Note: Available in e-book format.] HIGHLY RECOMMENDED Copyright 2012 Linworth Publishing, Inc.
  • Publishers Weekly Reviews : PW Reviews 2014 May #4

    Written in verse, Woodson's collection of childhood memories provides insight into the Newbery Honor author's perspective of America, "a country caught/ between Black and White," during the turbulent 1960s. Jacqueline was born in Ohio, but spent much of her early years with her grandparents in South Carolina, where she learned about segregation and was made to follow the strict rules of Jehovah's Witnesses, her grandmother's religion. Wrapped in the cocoon of family love and appreciative of the beauty around her, Jacqueline experiences joy and the security of home. Her move to Brooklyn leads to additional freedoms, but also a sense of loss: "Who could love/ this place—where/ no pine trees grow, no porch swings move/ with the weight of/ your grandmother on them." The writer's passion for stories and storytelling permeates the memoir, explicitly addressed in her early attempts to write books and implicitly conveyed through her sharp images and poignant observations seen through the eyes of a child. Woodson's ability to listen and glean meaning from what she hears lead to an astute understanding of her surroundings, friends, and family. Ages 10–up. Agent: Charlotte Sheedy Literary Agency. (Aug.)

    [Page ]. Copyright 2014 PWxyz LLC
  • School Library Journal Reviews : SLJ Reviews 2014 July

    Gr 4–7—"I am born in Ohio but the stories of South Carolina already run like rivers through my veins" writes Woodson as she begins her mesmerizing journey through her early years. She was born in Columbus, Ohio in 1963, "as the South explodes" into a war for civil rights and was raised in South Carolina and then New York. Her perspective on the volatile era in which she grew up is thoughtfully expressed in powerfully effective verse, (Martin Luther King is ready to march on Washington; Malcom X speaks about revolution; Rosa Parks refuses to give up her seat only seven years earlier and three years have passed since Ruby Bridges walks into an all-white school). She experienced firsthand the acute differences in how the "colored" were treated in the North and South. "After the night falls and it is safe for brown people to leave the South without getting stopped and sometimes beaten and always questioned; We board the Greyhound bus bound for Ohio." She related her difficulties with reading as a child and living in the shadow of her brilliant older sister, she never abandoned her dream of becoming a writer. With exquisite metaphorical verse Woodson weaves a patchwork of her life experience, from her supportive, loving maternal grandparents, her mother's insistence on good grammar, to the lifetime friend she meets in New York, that covers readers with a warmth and sensitivity no child should miss. This should be on every library shelf.—D. Maria LaRocco, Cuyahoga Public Library, Strongsville, OH

    [Page 126]. (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
  • Voice of Youth Advocates Reviews : VOYA Reviews 2014 October
    Woodson tells the story of her life against the backdrop of the civil rights movement of the 1960s and 1970s in this fictionalized memoir. Beautifully written in verse, it shows the difficulty of not feeling at home in any one place. Jacqueline was born in Ohio but moves to South Carolina with her mother, brother, and sister at age one, when her parents split. Her grandparents become like mom and dad, especially when her mother moves to New York looking for work. Just as she feels she has found her place in Greenville, her mother moves them to New York with her, where she feels she does not quite belong. When she goes back to South Carolina for the summer, she does not feel quite at home there anymore either As she grows, Jacqueline finds her purpose in the telling of stories, despite her early difficulty with reading. Her proudest moment is when a teacher identifies her as a "writer." Poetry is an excellent vehicle for illustrating her emotions while she tries to make sense of the world that is changing so rapidly around her. She conveys a genuine feel for the experience of African Americans in the era where they are moving from the back of the bus to being accepted everywhere, especially from a child's point of view. This would be a great addition to a history lesson on race in America during the civil rights era.—Deborah L. Dubois 4Q 4P J S Copyright 2011 Voya Reviews.

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