In this humorous kickoff to the Incorrigible Children of Ashton Place series, Wood (My Life: The Musical) injects new life into the governess theme by charging genteel 15-year-old Penelope Lumley (educated at the Swanburne Academy for Poor Bright Females) with three wild children—Alexander, Beowulf, and Cassiopeia—who were raised in the woods and taken into the "care" of Lord Frederic Ashton and his selfish, superficial bride (the children are living in a barn when Penelope arrives). With a Snicketesque affect, Wood's narrative propels the drama; Penelope is a standout, often invoking the truisms of her school's founder ("The best way to find out how fast a horse can run is to smack it on the rump") while caring for the Incorrigibles—named such so they won't be presumed Ashton's heirs. Despite the slapstick situations involving the children's disheveled appearance, pack behavior, and lack of language, the real barbarism comes from the Ashtons and a society that eagerly anticipates their failure. Though the novel ends a bit abruptly, the pervasive humor and unanswered questions should have readers begging for more. Final art not seen by PW. Ages 8–12. (Feb.)

Gr 5–8—Jane Eyre meets Lemony Snicket in this smart, surprising satire of a 19th-century English governess story. A witty omniscient narrator speaks directly to modern readers and follows 15-year-old Penelope, recent graduate of the Swanburne Academy for Poor Bright Females, to British country manor Ashton Place, where conniving Lord Fredrick has discovered three wild children apparently raised by wolves while hunting in his vast forest property. To Lord Fredrick, who's named them Alexander, Beowulf, and Cassiopeia Incorrigible, the children are trophies and property ("Finder's keepers, what?"); to young Lady Constance they're savage nuisances who howl, chase squirrels, and gnaw on shoes. Enter Penelope Lumley, charged with taming them in time for a Christmas party, and bolstered by her top-notch classical education and an endless supply of platitudes from Agatha Swanburne. She also comes armed with a cherished book of poetry and her favorite fiction series, "Giddy-Yap, Rainbow!" There are stock characters, and there are mysteries. Most of all, without taking itself too seriously, there is commentary on writing itself, the dangers and the benefits of relying on books for moral courage, and the perils of drawing false expectations of the world from literature. Penelope shows growth, confronting issues of social class and expectation versus reality, and eventually realizing her own capacity for insight. Humorous antics and a climactic cliff-hanger ending will keep children turning pages and clamoring for the next volume, while more sophisticated readers will take away much more. Frequent plate-sized illustrations add wit and period flair.—Riva Pollard, Prospect Sierra Middle School, El Cerrito, CA